
Overview
Distinctions
The defining attributes and collector status that make this car garage-worthy.
Collectibility scorecard
Rated 1 to 10 on the traits that matter for owning, driving, and holding on to a car like this.
Market data
Demand tier, price trend, and typical values by condition, based on recent sales data.
Values as of August 2026.
Buyer's guide
What anyone seriously considering this car should know first.
The Story
Driving character
Design
Motorsport pedigree
In culture
Rivals
Cars from other manufacturers that competed for the same buyers when new.
Owning One
Why collectors want it
Which one to look for
The only convertible in the 375 range, derived from the short-wheelbase 375 S and shown in yellow at the Geneva Motor Show in March 1971 at 75,750 Swiss francs. It used the Alfa Romeo Giulia tail lights of the 375 L rather than the coupe's six round units. Period reporting found it short of rigidity. The literature repeatedly records that the car was built at the request of a paraplegic friend of Peter Monteverdi who wanted a Monteverdi he could get into unaided.
The volume model and the car most buyers will actually encounter. After the split with Frua, Monteverdi reworked the range around a 2+2 on a 2,680mm wheelbase, because that is what enquiries told him people wanted. The new Fissore body held Frua's proportions almost exactly but squared off the nose and tail, with chrome-ringed twin round headlamps and Alfa Romeo Giulia Berlina tail lights. Kerb weight is 1,820 to 1,840kg. Auto Motor und Sport recorded 229.3km/h and 8.2 seconds to 100km/h in spring 1972. The dashboard changed from wood and round dials to black velour for 1972 or 1973.
A one-off. Frua stretched the 375 S into a 2+2 with a substantially reworked side profile and roof, shown publicly in 1968. It stayed at the factory and was never offered for sale. A second Frua-built 2+2 body was retained by the coachbuilder and sold on to AC in 1971, where minor changes including part-covered headlamps turned it into the one-off AC 429.
The short-chassis two-seater rebodied in the Fissore idiom, aimed at sportier drivers and offered with a manual gearbox option. Recessed headlamps and six round tail lights set it apart from the 2+2. It sold far worse than the 375 L, which is exactly why it is now the connoisseur's choice. In the winter of 1971 and 1972 it was developed into the Monteverdi Berlinetta, with a stiffened tubular frame and a slim full-width grille, sold under its own name rather than as a 375.
The car that started it, shown at the Frankfurt IAA in September 1967 on the Auto Becker stand. A two-seat coupe on a 2,510mm wheelbase with an alloy body designed and hand-built by Pietro Frua in Turin, closely related in the metal to his Maserati Mistral and AC 428. Monteverdi's men fitted the drivetrain in Binningen, the rolling chassis went to Turin to be bodied, and the finished car came back to Switzerland for delivery. The most valuable version of the car by a wide margin.
The strangest thing Monteverdi built and the top of the range. A four-door saloon on a 3,180mm wheelbase and 5,310mm long, carrying the 375 L front end to the A-pillar and then four wide-opening doors with Fiat 128 handles. Full leather, air conditioning and electric windows as standard, with an optional Sony television, a bar and a partition between driver and passengers. The factory pitched it directly at the Rolls-Royce Silver Shadow and the Mercedes-Benz 600. Details changed constantly: Alfa Giulia tail lights gave way to Triumph TR6 units, and one very late car left with rectangular Ford Granada headlamps, a matt black grille and rubber-faced bumpers.






